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> Diverging boumas, if you

In reply to Defining notan's edge: > Diverging boumas, if you will, is one of the forces driving script evolution. I wish. As far as I've seen (and it does make sense) divergence is only implemented...

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Hrant, I guess I just don't

In reply to Defining notan's edge: Hrant, I guess I just don't buy your pattern of interpreting, questioning and assimilating data. I suspect the feeling is mutual. You don't find my conclusions...

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I'm certainly not nearly as

In reply to Defining notan's edge: I'm certainly not nearly as versed in the science as you are, and you know I'm a believer in science. But it has to make sense, and the core questions (like how...

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I tried to convince some of

In reply to Phonetic symbols in Calibri and Cambria: I tried to convince some of the orthographic community to accept ḡ in place of g̱ and the response ranged between “meh” and “are you also planning...

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We'll I'll be... thanks!

In reply to Evening Standard font: We'll I'll be... thanks!

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"frode frank ! Opentype fonts

In reply to Another Glyphs vs. FontLab thread: "frode frank ! Opentype fonts can have both Truetype and Postscript outlines." Has something changed the present "either" to some future "both"? & I...

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[Hrant] I'm a believer in

In reply to Defining notan's edge: [Hrant] I'm a believer in science. I think that, to make bold statements about grasping immersive reading you need also to immerse yourself in the science. My view...

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I would definitely be

In reply to Grecs du Roi 'Gros Parangon': I would definitely be interested, and I think many others would be, too. What software do you use? I've found Fontforge to be more than enough for professional...

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Wow! that was great and fast

In reply to Venitian type Serif Font with swooping serif tail - help me?: Wow! that was great and fast response....right on the money. Thanks sooooo very much DPape!

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This is a really interesting

In reply to I have a question about purchasing typefaces.: This is a really interesting question. I buy two types of faces: workhorse fonts that I know I will use a lot, and specific one-purpose fonts...

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That’s not a typeface, but a

In reply to Beautiful Dutch Book cover: That’s not a typeface, but a custom lettering job, by Helmut Salden. This jacket is included in Jan Middendorp’s Dutch Type, on page 105.

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IMO it is a matter of range.

In reply to More than nine weights?: IMO it is a matter of range. For a certain use a light might be the proper choice for the lowest weight used (eg the other ones being regular or semibold and their...

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Duplicate:

In reply to Leaf Gelatin: Duplicate: http://typophile.com/node/88714

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@Ben, Charles and Duncan:

In reply to Looking For 17th Century Spanish Typeface: @Ben, Charles and Duncan: thanks for your kind comments about Espinosa Nova. Just for clarification, Antonio de Espinosa died in 1576 in Mexico...

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Regarding the type: I don’t

In reply to Looking For 17th Century Spanish Typeface: Regarding the type: I don’t know how historically accurate you must be, but I’d go for the Fell Types, as Riccardo suggested. Other two good...

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I can see this being used as

In reply to Something for the New Year: I can see this being used as a valid replacement in a Myriad of designs, be sure to forward to tim.cook@apple.com ;-) Happy new year!

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I hear you about LinkedIn and

In reply to Trad Book Design Communities?: I hear you about LinkedIn and Facebook, but they serve certain niche areas of my life and I tend to engage in social media just about only when I'm working....

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Thx so much guys. @DPape :

In reply to Anyone know these wonderful fonts ? merci !: Thx so much guys. @DPape : you made a mistake..this isn't CanterburySansMedium. The B, the E, the D don't match.

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My compliments. A worthy

In reply to Fette Deutsche Schrift by Robert Koch released: My compliments. A worthy release and, as far as I can see, very well done.

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Ohh, a great lettering job

In reply to Beautiful Dutch Book cover: Ohh, a great lettering job then! Thanks Florian :-)

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