What about Dekar,
In reply to sans serif font id: What about Dekar, artificially emboldened or a style bolder than Regular (even if I doubt it exists)?
View ArticleAfter I mispronounced it in a
In reply to Pronounciation: After I mispronounced it in a TypeCon talk, Matthew Carter came up to inform me (with characteristic politesse) After a talk in which I referred to Rudolph Růžička using my...
View Article>no rhythm The Fourier
In reply to White spaces: >no rhythm The Fourier transforms on blocks of text show a periodicity in text faces, bands of black and white. Another way of saying this is that in a the vertical strokes...
View Article"Arial ['s] less strongly
In reply to Microsoft are really really bad people (?): "Arial ['s] less strongly oriented to display use than Helvetica" That's a neat trick! Can you demonstrate?
View ArticleMany thanks Ryuk that is a
In reply to sans serif font id: Many thanks Ryuk that is a great alternative. It is the 'e' that I really like the look of and dekar is the closest I think I will find if the above is a custom job.
View ArticleMany thanks Ryuk that is a
In reply to sans serif font id: Many thanks Ryuk that is a great alternative. It is the 'e' that I really like the look of and dekar is the closest I think I will find if the above is a custom job.
View ArticlePeignot with IPA: pɛˈɲo BTW,
In reply to Pronounciation: Peignot with IPA: pɛˈɲo BTW, how to pronounce Hrant? ˈigɔɹ ˈfʁaɪbɛʁɡɐ
View ArticleAnswering my own question...
In reply to A first serif font: Answering my own question... the bowl weight was poorly balanced and the counter a little off. I've adjusted both. Also just changed the tails on '3' and '5' so they...
View Articleit's a matter of finding the
In reply to Who is Luc Devroye: it's a matter of finding the middle ground Indeed. Try harder. hhp
View ArticleBetter than deviating from an
In reply to White spaces: Better than deviating from an illusion is ignoring it. hhp
View ArticleI like the Gestalten site,
In reply to Design Blogs: I like the Gestalten site, not strictly a design blog but then perhaps that is a good thing...
View ArticleThe greatest differences are
In reply to Futura and Twentieth Century: The greatest differences are highlighted when you look at the lower case, particularly the shapes of counters for letters like a, b, d, g, p and q.
View ArticleCould you point out
In reply to Futura and Twentieth Century: Could you point out specifically what to look for? I know there's more *totally blanking out on the term right now* "thinning" where the bowls meet the stems...
View ArticleThere are people here who can
In reply to Futura and Twentieth Century: There are people here who can perform that kind of on-the-spot identification and hopefully give you some pointers, if I am at the point of needing to tell...
View ArticleClik here to view.
This is probably a long shot,
In reply to Searching for one font: This is probably a long shot, but based on |G| it could be a heavily modified D3 Streetism by D3 - http://www.digitaldreamdesign.net/ Check the sample bellow, |G| is...
View ArticleI've seen it before too, and
In reply to Raised Lowercase Baseline?: I've seen it before too, and yet I don't recall any fonts being made that way. It could, however, be achieved by using a titling font instead of the regular caps.
View ArticleMiller Display has this R and
In reply to Milleresque: Miller Display has this R and also these OS numerals. The caption on your first sample looks like another typeface, maybe Walbaum? - Mike Yanega
View ArticleThis is seen in children's
In reply to Raised Lowercase Baseline?: This is seen in children's books, especially those that seek to draw attention to words that start with the same letter. I'm not aware of any fonts made this...
View ArticleYou were on the right track.
In reply to ID this font from a picture: You were on the right track. It seems to be a free font called ‘Crazy Harold’.
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